About

 

I am fascinated by stories passed down, both from my own familiar heritage and those told by others. I believe that the passing down of memories is what keeps our genetic heritage alive. I am interested in, and seek out others, who have a similar story to tell, and I immerse myself in their shadows. I do so in order to tell my story more clearly, and doing so helps to clarify what I want the work to say visually.

There is a connection to what the ancient ones taught my ancestors, as this information was passed down generation to generation. I consider my work a spiritual endeavor in which the process of making is a ritual. I decided to learn how to make objects in order to have a better understanding of my ancestors and how I am similar to them. The process of making imbues my identity with an ancestral connection to the sacred and the ritual object.

In storytelling I am moved by a sense of discovery and connection, much of it deeply rooted in place and land. My life's journey is about where the land, peoples, and stories come together. It is my wish that the viewer will add their own experience to my work. Thank you for taking the time for your own discovery, as it brings meaning to the day. Miigwetch/Thank you.

Gina Adams spent her early youth in the San Francisco Bay, and then her adolescent and early adult years in Maine. Gina's formal education includes a BFA from the Maine College of Art and MFA from the University of Kansas, where she focused on Visual Art, Curatorial Practice and Critical Theory.

Gina Adam's cross-media, hybrid studio work includes the reuse of antique quilts and broken treaties between the United States and Native American tribes, sculpture, ceramics, painting, printmaking and drawing. Her work is exhibited extensively throughout the US and resides in many public and private collections. The noted international art critic Lucy Lippard wrote the introduction on her artwork for her Nerman Museum of Contemporary Art Exhibition Its Honor Is Here Pledged which launched her art career and body of work Broken Treaty Quilts into a new contemporary art arena in 2015. In 2016 she was SARF Smithsonian Artist Research Fellow, and had Its Honor Is Hereby Pledged exhibitions in Boulder Colorado at Naropa University’s White Cube Gallery where she is a Faculty in Visual Arts. In the summer of 2017, Gina presented and exhibited at the AIW Conference at Goldsmiths College, University of London, England which will be followed by an exhibition at the Bemis Center of Contemporary Art titled Monarch’s curated by Risa Puleo. 2018 brings many exciting opportunities for Gina including being Artist-in-Residence at Dartmouth College which includes a Solo exhibition, a Kohler Arts Industry/Residency and several more.